WRITING QUOTES XXXI

quotations about writing

In utter loneliness a writer tries to explain the inexplicable.

JOHN STEINBECK

New York Times, June 2, 1969


The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

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Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.

CARMEN BOULLOSA

Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995

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I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.

CHARLES DE LINT

"Music and Myth: A Conversation with Charles de Lint", The Internet Review of Science Fiction

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Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


You become a serious novelist by living long enough.

DON DELILLO

Conversations with Don DeLillo

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Writing can't be a way of life -- the important part of writing is living. You have to live in such a way that your writing emerges from it.

DORIS LESSING

Doris Lessing: Conversations

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It's tremendously hard work. Yes, I love arranging the words and having them fall on the ear the right way and you know you're not quite there and you're redoing it and redoing it and there's a wonderful thrill to it. But it is hard.

ELIZABETH STROUT

Newsweek, July 13, 2009

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You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

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As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.

JANE HIRSHFIELD

The Atlantic Online, September 18, 1997

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Keep your head down, avoid all the distractions of being a writer today--all the shifts in the business, all the drama, all the debating about where publishing is going--and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.

JEFF ABBOTT

The Big Thrill, June 30, 2013

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There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.

REX STOUT

The New York Times, November 15, 1953


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

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You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.

DORIS LESSING

attributed, Shoptalk: Learning to Write with Writers

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You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

DORIS LESSING

The New York Times, April 22, 1984


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

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